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About Us Artist Relations/Marketing Director Gabriel Langfur is bass trombonist of the Vermont Symphony and Rhode Island Philharmonic Orchestras and performs regularly as a substitute with the Boston Symphony and Pops and the Boston Ballet Orchestra, as well as many freelance engagements throughout New England. He is on the faculties of Brown University and the Vermont Youth Orchestra Association, and has given solo recitals at Brandeis University, King’s Chapel, Boston, Trinity Episcopal Church in Concord, Massachusetts, and the Oberlin and New England Conservatories. Gabe was a member of the Orion Trombone Quartet, First Prize winners at the 1989 Coleman Chamber Music Competition in Pasadena, California. He holds a Masters Degree in Trombone Performance from New England Conservatory, as well as Bachelor of Arts (English) and Bachelor of Music Degrees from Oberlin College and Conservatory, where he studied with Raymond Premru, Per Brevig, Norman Bolter and Matthew Guilford. Gabe has performed on recordings with the Boston and Albany Symphonies, Boston Symphony Principal Trombonist Ronald Barron, and the Indigo Invention Group. Also working in Artist Relations is Wesley Hopper. Originally
from Alabama, Wes is a member of the Triton Brass Quintet and a busy
freelance musician in New England. He is Adjunct Professor of Trombone
at Boston College, and serves on the faculties of the Boston University
Tanglewood Institute and the Atlantic Brass Quintet Seminar. The S.E. Shires company slogan, Quality without compromise,
is more than simply a marketing tool. It is Steve’s heartfelt
conviction and his fundamental principle for both manufacture and design.
Nearly every part used on an S.E. Shires trombone is built in-house,
and every instrument is play-tested by Steve, Wes or Gabe before it
is shipped. Steve's attention to detail, both mechanical and aesthetic,
is unsurpassed by any other brass instrument maker. He has parallel
commitments to the highest standards of modern manufacturing, that make
his instruments consistent and mechanically superior, and to the old-world
craftsmanship that gives them the distinctively resonant voice appreciated
by players all over the globe. |
“Steve Shires is the most gifted trombone maker on the planet.” - Matthew Guilford “If there is one reason why Steve’s trombones are as good as they are, it is his basic human decency and integrity. I can’t recommend his work and service highly enough. He seems to give the same service to any player who buys his horns and is obviously passionately committed to making the very best instruments he can.” - Sam Burtis “My experience buying a Shires was truly pleasurable. After a few conversations with Steve, it was like having your best buddy—who happened to be a master craftsman—build you a horn. Every instrument played with ease and clarity. If I had to settle on any of the models I auditioned, I would have been satisfied. When picking out a Shires, there aren’t ’good’ or ’bad’ ones. They’re all good! So choosing the perfect trombone becomes a question of listening for subtlety and nuance. I’m able to focus on making music and not having to worry about getting the equipment to respond.” - Jerry Zigmont “When I decided to buy a Shires, I had a very specific idea of what I wanted from an instrument. Steve and the other craftsmen that work with him made the exact instrument I was looking for. The modular design allowed me to find the exact blow and feel that I desired. The horn feels good in my hands and sounds rich and soulful. The valve plays beautifully. It blows big and open, yet the open horn remains lively and vibrant. In addition to playing great, it looks beautiful. What a wonderful instrument.” - Jeff Albert |